The Bowery Presents

Terminal 5 upcoming shows

Paolo Nutini
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"I've never written a song that was hypothetical. They're all real and about my life," says Paolo Nutini. It's an approach that has served most of the great singer-songwriters down the years, whether they've escaped from a dull mining town in Minnesota or been brought up - as in Paolo's case - in a chip shop in Paisley, near Glasgow.

At 19, his songs suggest he knows an awful lot about the vicissitudes of life and love. Let's not heap patronising platitudes upon him by calling him 'an old head on young shoulders' or 'mature beyond his years'.

Paolo Nutini isn't really any of those things. Nor is he the latest Bob Dylan or the new Damien Rice. He's simply a sharp, open-hearted, hugely talented young man with a unique gift for expressing in song the typical attitudes and experiences of someone his age. He describes his debut album as nothing more or less than a record of the last two or three years of his life. Songs about leaving home, about missing friends and family, about the highs of being in love and the lows of falling out of love.
Matt Hires
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On the surface, 22-year-old Florida native Matt Hires seems to be the epitome of the sunshine state: bare-footed, artistic, and coolly easy-going. But there’s a lot more to him than meets the eye. As a child, Matt was introduced to different musical genres by his father. It was Matt’s father that passed along his old, handmade acoustic guitar from 1977 to Matt when he was sixteen years old - the same guitar that Matt uses today. A homeschooler, Matt taught himself to play the guitar. During high school, Matt gravitated towards the punk/hardcore scene, which is a far cry from his own introspectively powerful acoustic pop sound. Although he was a hockey player and enjoyed surfing and skateboarding, Matt was self-proclaimed nerd. “I collected tons of Star Wars toys as a young kid, made my own Star Wars movies with them that usually starred my pet hedgehog, Prickles, and wrote my own Star Wars stories - they were pretty bad,” Matt recalls of his early childhood. Though Matt might have outgrown his fascination with Star Wars toys, he never outgrew his love for music. By the time he was seventeen years old, Matt wrote his first song, and began performing in public a year later. Soon thereafter, Matt and a few of his friends decided to start a band, Brer. They recorded two albums, The Sun Is Rising EP and Microwavable. “There were ups and downs, band members came and went, but overall it was a great time, and a great experience. We also evolved a lot musically over our fairly short existence, and I grew a lot as a songwriter and musician,” says Matt. Now, as a solo artist, Matt is poised to captivate audiences with his endearing personality, melodic sound, and undeniable talent.
Erin McCarley
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Erin McCarley calls the music on her debut album, Love, Save the Empty, a document of her search for authenticity in herself and in others. If that sounds heavy, there’s a reason why: According to McCarley, “Loving You” is about “being honest at the beginning of a new relationship and saying, ‘I have nothing left to give,’ to this amazing person standing right in front of me.” “Sleepwalking” profiles a cynic that can’t hear it come back his own way. For the title track, McCarley was inspired to write a song about the effects stemming from a lack of role models in a parentless world. And yet the 11 songs collected here (songs that ignited an industry-wide frenzy when McCarley performed them at SXSW earlier this year) pull off the trick that all great pop performs: They do heavy philosophical lifting with a lightness that boosts the spirit. This is elegantly crafted, deeply melodic music that resounds with echoes of the Beatles and Aimee Mann, Alanis Morissette and Amy Winehouse.
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