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Dr. Dog
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“There was this feeling inside me going into making this record that we’d never made an album before,” says guitarist/vocalist Scott McMicken of Dr. Dog’s Shame, Shame, their Anti- debut and the first album made outside the safe confines of their home studio. “Four albums ago, we set out with this unspoken or unconscious mission, and I feel like we accomplished that to our own standards of fulfillment. With our last record [2008’s Fate], there didn’t seem to be the next logical step with the general set of sensibilities and aesthetics that we’d been working from up until that point. It felt like a closed book.”

As a band that has traditionally built their scrappily spirited albums layer by layer in the undisturbed seclusion of their Philadelphia studio, Dr. Dog realized they would need to leave these comforts and work in a professional studio with the help of an outside engineer and producer if they were to continue their album-by-album growth. Having evolved from a band whose primary creative outlet was the album-making process into one that increasingly favored the energy of their live performances, they knew they wanted to document the new dynamic they had developed on the road.

In Rob Schnapf (Beck, Elliott Smith) they found a producer who had earned his reputation making albums in much the same fashion as Dr. Dog had, eventually moving on to the bigger and better sounds that they now wanted. With his help, the intricate arrangements of Fate were peeled back to reveal the raw immediacy of a tight five-man unit honing their craft. During these sessions at Dreamland Studios in West Hurley, New York, their unkempt edges were pruned, producing lean and muscular arrangements they could perform live without having to translate violin lines into guitar solos or vice versa. Along the way, what could have been merely a live-in-the-studio detour became nothing less than the culmination and unification of everything they’d done to that point.

Founded on a creative relationship whose roots stretch back to when McMicken and bassist Toby Leaman met in the 8th grade, Dr. Dog was years in the making. After long hours practicing in basements, performing in barns, and tweaking knobs on cassette four track machines, Dr. Dog was officially established in 1999 with the Psychedelic Swamp record. What followed was an intense period of stockpiling eight-track recordings, open-ended enrollment policies where Dr. Dog membership included a man who played a one-string guitar in a skintight skeleton costume and another who danced in the crowd while wearing a tuxedo. Despite their loyal hometown following, Dr. Dog could have very well remained a Philadelphia phenomenon had McMicken’s then-girlfriend not slipped a copy of Toothbrush, a collection of home recordings, to Jim James of My Morning Jacket, who would take them on their first tour and prepare the way for the waves of positive press that would greet 2005’s Easy Beat. By 2007, their next album We All Belong was earning the band opening slots for Wilco and the Raconteurs and they were turning up all over late night television. They upped the ante with their sonically ambitious Fate and started headlining their own tours. By the spring of 2009, the treadmill had run them ragged, and their new songs reflected a life spent with the nagging realization that things were out of a balance.

“It’s hard when you spend half your time away from your friends and family to feel like you’re as connected as you could be to the people around you,” says Leaman. “I think that’s a lot of what this album is about. ‘I’m alone of my own making’ – that attitude. You see that all these people have lives and things go on and on, and if you’re in a band it’s pretty much static. ‘What are you going to do this year?’ ‘Well, I’m going to make an album, and I’m going to go on tour.’ That’s your life. You see your friends and you wonder how close you are to the people you feel close to, because maybe you haven’t seen them for months and months. I’m not complaining, because this is all we’ve ever wanted, but it’s a disorienting way to live.”

Dr. Dog has created a song cycle of doubt and despair, bookended with the woozily swirling harmonies of Leaman’s lonely opener “Stranger” and the harsh self-critique of the title track, a gnarled admission that sometimes it’s best to admit your mistakes and move on. Their most openly autobiographical release, ranging from McMicken’s exploration of West Philly underlife in “Shadow People” to his account of two soul-bearing late night conversations in “Jackie Wants a Black Eye,” it’s an album whose dark themes are soothed by bright harmonies, taut guitar riffs, and soaring melodies. Past stylistic references remain, but the tone is entirely different, with doubt, confusion and unanswered questions. And yet Shame, Shame is not a joyless affair Just like each of their previous albums, it’s record destined to claim its place on the timeless margins, untouched by modern tastes and content to exist on its own terms. Dig deeper, and you’ll see that it’s the sound of bones groaning to support new growth and the story of how just how difficult the maturation process is, even when you want it more than anything. It’s the sound of Dr. Dog writing their next chapter, the one they’ve been working towards since they played their first notes together.
Deer Tick
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Deer Tick began in December of 2004 in the bedroom of Providence native, John McCauley. With a tape recorder and a nylon string guitar, he did what most anybody would do; he made tapes for his friends.

When McCauley, then 18 years old, got his hands on Hank Williams Sr.'s "Gold" collection and locked himself in his room listening to it on repeat until he finished his bottle of brandy, it all became fairly obvious to him-- he was on his first tour just a few months later.

After years of being on the road, fully developing his distinct howl of a voice, anddo honing his guitar skills, McCauley had earned himself a following of devoted fans and supporters. Throughout all of this touring and selling his songs on CD-R, it became apparent that putting out a real album was the natural next step in McCauley's musical life. McCauley recorded Deer Tick's debut War Elephant at age 19, performing every instrument on the album. War Elephant was originally released in September of 2007 to much critical acclaim from The New York Times, Brooklyn Vegan, Spin, and many others. But McCauley's vision from the start was for Deer Tick to be a real band, and a rotating cast of characters simply wouldn't suffice anymore.

In April of 2007, just weeks before a national tour, McCauley turned to Dennis Ryan, a hard-hitting young drummer who had just decided to cut his college career about 3 years short. The two had played together before and their energy while performing was something unmatched for the both of them. It took no convincing Dennis at all that this was a good idea. He said "yes" before McCauley even finished asking him.

Dennis Ryan grew up in neighboring Pawtucket, RI. His dream had always been to become a famous, and perhaps more importantly, badass drummer. His epiphany occurred at the curious age of 3, while watching Ronnie Tutt play the drums with Elvis Presley in a rerun of the "Aloha From Hawaii" special.

After the national tour it was time for Deer Tick to find a bassist. McCauley had tried to convince Chris Ryan, a bass player in town, to join Deer Tick for quite some time. That August, Chris Ryan returned from a trip driving his VW Van from Providence to Costa Rica and back (though he only made it as far as Guatemala and back). Chris came speeding down Empire Street in downtown Providence, where McCauley was sitting at a table outside enjoying a beer. A swarm of people surrounded the van welcoming Chris and his traveling companions home. Before you knew it McCauley was asking the road weary traveler to join Deer Tick again. The band was completed in August 2008, when Andrew Tobiassen, a funky, young guitarist living in Providence, RI joined up with the band.

Born On Flag Day is Deer Tick's highly anticipated second full-length album and follow-up to the band's 2007 internationally acclaimed debut, War Elephant (reissued in 2008 by Partisan Records). This release follows two years of extensive touring in sold out clubs across the country and abroad.

Unlike War Elephant, this album features the three new members of Deer Tick that principal songwriter John J. McCauley III recruited to become the band's current incarnation - Andy Tobiassen, Dennis Ryan and Chris Ryan. Born On Flag Dayreflects a natural evolution from a singular vision of one songwriter to something much greater. The album is set for a June 23rd street date on Partisan Records.
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